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*1001 $aReiter, Walter, $ekirjoittaja.
*24514$aThe baroque violin & viola :$ba fifty-lesson course.$nVolume 2 /$cby Walter S Reiter.
*264 1$aNew York :$bOxford University Press, $c[2020]
*264 4$c©2020
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*5050 $aPart Three. Approaching the Early Seventeenth-century Italian Sonata -- Part Four. Church Militant: The Sonatas of Schmelzer and Biber -- Part Five. Supreme Refinement of the Human Spirit: François Couperin and the Music of France -- Part Six. Approaching the Galant -- Part Seven. J.S.Bach.
*5202 $aLessons 24-50.
*650 7$aviulu$2yso/fin$0http://www.yso.fi/onto/yso/p19602
*650 7$aalttoviulu $2yso/fin $0http://www.yso.fi/onto/yso/p14228
*650 7$aesityskäytäntö $2yso/fin $0http://www.yso.fi/onto/yso/p23198
*650 7$abarokki $2yso/fin $0http://www.yso.fi/onto/yso/p15757
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*655 7$aharjoitusaineistot $2slm/fin $0http://urn.fi/URN:NBN:fi:au:slm:s466
^

In the early seventeenth century, enthusiasm for the violin swept across Europe—this was an instrument capable of bewitching virtuosity, with the power to express emotions in a way only before achieved with the human voice. With this new guide to the Baroque violin, and its close cousin, the Baroque viola, distinguished performer and pedagogue Walter Reiter puts this power into the hands of today's players. Through fifty lessons based on the Reiter's own highly-renowned course at The Royal Conservatory of the Hague, The Baroque Violin & Viola, Volume II provides a comprehensive exploration of the period's rich and varied repertoire. The lessons in Volume II cover the early seventeenth-century Italian sonata, music of the French Baroque, the Galant style, and the sonatas of composers like Schmelzer, Biber, and Bach. Practical exercises are integrated into each lesson, and accompanied by rich video demonstrations on the book's companion website. Brought to life by Reiter's deep insight into key repertoire based on a lifetime of playing and teaching, The Baroque Violin & Viola, Volume II: A Fifty-Lesson Course will enhance performances of professional and amateur musicians alike.